February 27–August 23, 2020
The Sleeping Giant: Posters & The Chinese Economy explores China’s economic relationship with the world through poster design.
By the 20th century, Western powers had already forced their way into the Chinese market. Throughout the 1920s and 1930s, foreign and local companies rapidly expanded their commercial activities in China and experimented with Western marketing ideas. The most popular posters, called yuefenpai (calendar posters), were a marketing sensation and became key publicity tools to promote everyday products including cigarettes, cosmetics, and pharmaceuticals.
In 1949, with the establishment of the People’s Republic under Mao Zedong, public posters made a stark turn towards Socialist Realism. Later in the 1980s and 90s, Chinese graphic design embraced a more internationally modern look as globalism brought the far reaches of the world together.
This collection comes to Poster House through generous loans from Marc H. Choko, Merrill C. Berman, Oded Boldo, the Chisholm Larsson Gallery, Philip Williams, Battledore Limited, and others.
Brunner Mond & Co. Ammonium Sulphate by Zhou Baisheng , 1930
Crosfield’s Umbrella Soap by Zheng Mantuo, 1925
The Rat Cigarettes by Xie Zhiguang, 1938
“Sisters” Meeting of all Regions for the National Heroes Conference by Li Mubai & Jin Xuechen, 1964
Cultural Revolution Glows by Yang Jiabao & Cai Sheng, 1972
Carry Out People’s War Against Lin Biao and Confucius by Zhang Ruji & Wang Jiao , 1974
Communication International Poster Exhibition by Chen Shaohua, 1996
20th Century Chinese Design Exhibition/Past and Future by Zhang Qing, 1998
No exhibitions found.